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Chijioke Amu-Nnadi. |
Utibe Uko Wrote:
The Port Harcourt Literary Society is a body of individuals that aims to boost the social culture of the city of Port Harcourt through literature.
The Port Harcourt Literary Society is a body of individuals that aims to boost the social culture of the city of Port Harcourt through literature.
Through
series of events where the Society hosts poets and guests, as well as school
children, the Society is slowly but surely generating new and considerable
interest in poetry and literature among youths while sustaining the passion in
the elders of the business.
As
part of this drive to ensure the sustainability of poetry and literature in
Rivers State and Port Harcourt, the Port Harcourt Literary Society
recently appointed reputable poet, Amu Nnadi as its Resident Poet.
The
Resident Poet brings his invaluable experience to the Society's activities
through unique programmes. The Resident Poet adds verve to the resources of the
Society ensuring that literature and poetry is taken to new levels, setting new
standards for lovers of literature and poetry.
In
his role as Resident Poet of the Port Harcourt Literary Society, Amu Nnadi has
launched the PHLS Open Mic Day, a programme which brings writers and lovers of
poetry together. He has also introduced the PHLS-LIFT, Port Harcourt Literary
Society Literature for Teens programme, aimed at encouraging literature in
secondary schools.
The
PHLS Open Mic Day, which offers a veritable opportunity for writers of poetry
to interact on site while giving lovers of poetry the rare opportunity to
experience poetry at its innovative best, held its first edition on
Friday, November 3. The PHLS-LIFT held on Friday, November 10, with three
schools in Port Harcourt in attendance.
The
next Open Mic holds next Friday, on December 1. Already, many
organisations such as Shell, Kilimanjaro fast foods, Association of Nigerian
Authors, Seaview Poetry Club, Word Phantomz and many more are coming together
to support the initiative.
Only
recently, Amu-Nnadi says, the group took delivery of a new set of sound
equipment, including amplifier mixer, speakers and microphones, donated by one
of its supporters to boost the Open Mic.
The
group also includes interesting young writers such as Edwina Aleme, Sotonye
Dan, Maureen Alikor, Sibbyl Whyte, David-Jack Abirima, Ella Chikezie, Dayo
Ibitoye and Chidinma Ubakanwa, the manager of the Port Harcourt Literary
Society Library, an impressive edifice built and donated by Shell. When the
complex is completed, it will provide a hostel accommodation for writers on
residency programmes, as well as an amphitheatre.
THe
PHLS Open Mic Day aligns with the character of Amu Nnadi, a poet of repute
whose unique style of poetry offers new insights in knowledge, innovation and
style. Amu Nnadi's unconventional style of non conformity to the use of
grammar, lexicon and punctuation is a new vista in the development of poetry in
Nigeria.
His
non-conformist, emotion laden style deviates from the norm and in his role as
Resident Poet of the Port Harcourt Literary Society, Amu Nnadi breathes fresh
air into an otherwise straitjacket scene.
Amu Nnadi
(A
profile)
Amu Nnadi is the author of five collections of poetry:
1.
"the fire within" (2002), which won the inaugural ANA/NDDC Gabriel
Okara Poetry Prize in 2002;
2.
"pilgrim's passage" (2004), which was shortlisted for the Nigeria
Prize for Literature in 2005;
3.
"through the window of a sandcastle" (2013), which was runner up to
the Nigeria Prize for Literature and won the ANA Poetry Prize, both in 2013, as
well as the inaugural Glenna Luschei African Poetry Prize in 2014;
4.
"a river's journey" (2016); and
5.
"a field of echoes" (2016).
He
also has a sixth book, "ihejuruonu", an assemblage of his poems of
anguish, published in 2015.
A
graduate of Mass Communications from the University of Nigeria, Nsukka, amu
nnadi began writing poetry in response to a dare, having not studied English
Literature. He publishes without his photograph, convinced that no poet owns
what he writes and that poets are only vessels in the hands of a great
influence.
All
his books bear a dominant black image, which, he says, represents the mystery
of the poem, as well as the primal essence of being, "the presence and
absence of things". He also writes poetry without capitals nor full stop,
for he says again that life "is a seamless stream of commas and no
stops."
A
poet of great and irresistible energy, he is currently concluding work on his
seventh and eighth collections, "the love chronicles" and
"eucalyptus" to be published in 2017, and a ninth,
"conversations", in 2018.
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